{"id":1884,"date":"2026-07-24T13:16:09","date_gmt":"2026-07-24T13:16:09","guid":{"rendered":"https:\/\/idm-instituto.webs.upv.es\/wordpress\/?page_id=1884"},"modified":"2026-07-31T10:39:39","modified_gmt":"2026-07-31T10:39:39","slug":"cermet","status":"publish","type":"page","link":"https:\/\/idm-instituto.webs.upv.es\/wordpress\/index.php\/cermet\/","title":{"rendered":"CERMET"},"content":{"rendered":"\n
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Ceramics and Metal Casting: Creation and Research<\/strong> – CERMET<\/strong><\/p>\n<\/div>\n\n\n\n

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The main interest of this research line is sculpture, with a special emphasis on the processes, materials, and techniques involved. Artistic metal casting is a central focus, both as a teaching discipline and a research specialty. Ceramics plays a key role as the primary material used in refractory mould-making processes for artistic casting.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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CV Prof. M\u00aa del Carmen Marcos<\/strong><\/p>\n\n\n\n

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M\u00aa del Carmen Marcos (Valencia, 1965) is a Professor of Sculpture at the Universitat Polit\u00e8cnica de Val\u00e8ncia since 2025 and holds a PhD in Fine Arts (awarded in 2001).<\/p>\n\n\n\n

An active sculptor, her work revolves around metaphors and symbols, with a distinct interest in materials and their associated processes. Her conceptual reflections address themes such as literature as a creative stimulus for sculpture, the importance of manual craftsmanship in human development, and the dichotomy between art and craft.<\/p>\n\n\n\n

She oversees the Casting Laboratory within the Sculpture Department of the San Carlos Faculty of Fine Arts (UPV, Valencia), where she conducts both her teaching and research.<\/p>\n\n\n\n

She studied ceramics with Enric Mestre in 1994\u201395 and again during the final year of his tenure, in 2000\u20132001. Her mentors in casting include David Reid, Juan Carlos Albaladejo, and Rufino Mesa; in jewelry, Francisco D\u00edaz Romero; and in sculpture, \u00c1ngeles Marco, Sebasti\u00e1 Miralles, Ram\u00f3n de Soto, and Vicente Ort\u00ed.<\/p>\n\n\n\n

Link to her personal artistic web: www.carmenmarcos.info<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Research\u202fLines<\/strong>\u202f <\/p>\n\n\n\n

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Sculpute<\/p>\n<\/div>\n\n\n\n

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Artistic metal casting <\/p>\n<\/div>\n\n\n\n

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Ceramics <\/p>\n<\/div>\n\n\n\n

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Highlighted Funding<\/strong><\/p>\n\n\n\n

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T\u00e9cnicas experimentales de innovaci\u00f3n e hibridaci\u00f3n en la fundici\u00f3n art\u00edstica y la obra propia. CIACIF\/2022\/136.<\/strong> Generalitat Valenciana (GVA).<\/em> 2023\u20132027.<\/strong> M\u00aa del Carmen Marcos Mart\u00ednez.<\/p>\n\n\n\n

Joyer\u00eda contempor\u00e1nea, un nuevo fen\u00f3meno art\u00edstico. An\u00e1lisis de las relaciones entre la joyer\u00eda europea y mexicana en la actualidad. ACIF\/2012\/005.<\/strong> Generalitat Valenciana (GVA).<\/em> 2012\u20132015.<\/strong> M\u00aa del Carmen Marcos Mart\u00ednez.<\/p>\n\n\n\n

Estructura en bronce en el siglo XXI: creaci\u00f3n e investigaci\u00f3n. PAID-06-08-3204.<\/strong> Universitat Polit\u00e8cnica de Val\u00e8ncia (UPV).<\/em> 2008\u20132010.<\/strong> M\u00aa del Carmen Marcos Mart\u00ednez.<\/p>\n\n\n\n

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Highlighted Publications<\/strong><\/p>\n\n\n\n

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Vidal M\u00edguez, D.; Marcos Mart\u00ednez, C. Experimentaci\u00f3n en fundici\u00f3n art\u00edstica: proyecci\u00f3n de metal fundido.<\/strong> Sonda investigaci\u00f3n en artes y letras.<\/em> 2025.<\/strong> 15. https:\/\/doi.org\/10.4995\/sonda.2025.23867<\/a><\/p>\n\n\n\n

Herrero-Cortell, M.A.; Mas-Barber\u00e0, X.; Marcos Mart\u00ednez, C. et al.<\/em> Museum reproduction of metallic archaeological artefacts: From lost wax casting techniques to artificial metals.<\/strong> Ge-conservation.<\/em> 2017.<\/strong> 1, 12, 31\u201344. ISSN 1989-8568<\/p>\n\n\n\n

Marcos Mart\u00ednez, C. Al borde del abismo: Roc\u00edo Garriga.<\/strong> Est\u00fadio, Artistas sobre Outras Obras.<\/em> 2015.<\/strong> 6, 11, 72\u201382. eISSN 1647-7316<\/p>\n\n\n\n

Marcos Mart\u00ednez, C. La Cascarilla Cer\u00e1mica como Material Escult\u00f3rico.<\/strong> Barcelona, Research, Art, Creation.<\/em> 2013.<\/strong> 1, 1, 127\u2013129. https:\/\/doi.org\/10.4471\/brac.2013.05<\/a> <\/p>\n\n\n\n

Marcos Mart\u00ednez, M.C. De la idea a la materia. Una propuesta de definici\u00f3n de la escultura desde el proceso de creaci\u00f3n.<\/strong> Revista de artes pl\u00e1sticas, est\u00e9tica, dise\u00f1o e imagen.<\/em> 2007.<\/strong> 5, 41\u201375. https:\/\/doi.org\/10.25145\/j.bartes<\/a> <\/p>\n\n\n\n

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Ceramics and Metal Casting: Creation and Research – CERMET The main interest of this research line is sculpture, with a special emphasis on the processes, materials, and techniques involved. Artistic metal casting is a central focus, both as a teaching discipline and a research specialty. 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